Récemment, un nombre de plus en plus important de designers commence à questionner l’invisibilité de ces outils dans le processus de design. Les outils de design graphique traditionnels n’ont que peu évolué depuis leur création, il y a plus de 25 ans. In this thesis, I argue that Graphical Substrates open the design space of designers' tools by bridging the gap between programming and graphical user interface to better support the wealth of designers' practices. I design and explore several ways to embed these two mechanisms into Graphical Substrates. I also argue that we should let designers reify their own graphical substrates from specific examples. In four structured observation studies, I show how designers can appropriate these probes in their own terms.įor designers to fully benefit from Graphical Substrates, I argue that they need to acknowledge the fundamental design practice of tweaking. I design nine different tools that address the needs identified in the four empirical studies by reifying specific user process into Graphical Substrates probes. I show how design tools, because they decouple creativity from tool use, prioritize values such as efficiency and user-friendliness that do not support existing creative practices.įacing this mismatch, designers need to resort to programming to benefit from the computational power they can't access with traditional tools.īased on my empirical findings, I propose a new type of design tools, Graphical Substrates, that combine the strengths of both programming and traditional Graphical User Interfaces. In these empirical studies, I analyze the wealth of designer practices and I characterize the existing mismatch between current digital design tools and designers practices. Using StoryPortraits, a method designed to capture rich qualitative insight in a form that supports both analysis and design conversations, I first study four designer practices, ranging from specific design operations such as color selection, alignment and distribution, to more complex endeavors such as layout structuring and collaboration with developers. In this dissertation, I address the following questions: How do designers work with design software? And how can we design novel design tools that better support designer practices? In recent years, a growing number of designers started questioning the resulting invisibility of design tools in the design process. Too bad that it hasn't been updated for a while.Mainstream digital graphic design tools seldom evolved since their creation, more than 25 years ago.
It worked smoothly, without triggering the operating system to hang, crash or prompt error messages.Īlthough its set of features is not particularly rich, Plastiliq Pixel Picker offers a simple and effective solution for capturing colors and copying various color codes to use them in your personal projects.
Plastiq pixel picker software#
Evaluation and conclusionĪs we expected, the software utility didn't put a strain on the overall performance of the machine in our tests, since it needed low CPU and RAM to work properly. Moreover, you can make the window stay on top of others, send the application to the systray to make it non-intrusive (on minimize and/or exit), as well as configure a global keyboard shortcut for quickly bringing it up on the screen. It can be copied to the Clipboard by clicking the square box right next to the code. Once you release the mouse button, you can zoom in the snapshot to pixel level to easily find the desired color.Īs previously mentioned, the tool supports multiple color codes, so all you have to do is select the preferred one. You can begin by clicking and holding any point on Plastiliq Pixel Picker's window, in order to drag it out, move it, and capture a specific portion of the screen. The program is packed in a user-friendly interface made from a small window with a simplistic structure. The installation procedure is a fast task that shouldn't give you any trouble. It's mainly dedicated to web designers and creative artists. Plastiliq Pixel Picker is a color picker capable of displaying multiple types of color codes: RGB, ARGB, BGR, BGRA, HTML, CMYK, HSL, HSV / HSB, HEX, HEX + alpha, decimal, along with decimal + alpha.
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